Watch The Who: Live At The Isle Of Wight Festival 1970 Online
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The sound and characterize are in grand better shape than on the first release. On the first edition four of the first five songs (”Can’t Elaborate”, “Young Man Blues”, “I Don’t Even Know Myself” and “Water”) were largely untouched. Heaven and Hell had some of its footage sped up slightly but otherwise was unprejudiced as electrifying as the other four numbers. From there the film became a chop and dice of patchwork concert footage that looked a like a badly pieced together jigsaw puzzle.
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The dreadful news is that the editing is unexcited a hatchet job. The concert is aloof out of order. “Tommy” was played in the middle of the note not at the extinguish. Powerful of the material is nick. The Shakin’ All Over/Twist and Scream” medley has at least a third of its state missing as does “Magic Bus”. “Substitute” and “Naked Search For” are missing completely. In the case of the “Naked Perceive” footage that may be a case of copyright blocking presentation. The footage does exist and can be seen on the “Message to Treasure” DVD. The express from “Tommy” is a mess. The “Overture”, “It’s a Boy”, “Eyesight to the Blind”, “Go to the Mirror”, “I’m Free” and “We’re Not Gonna Pick It” are all presented as fragments edited into song produce. “1921″, “Improbable Journey/Sparks”, “Tommy Can You Hear Me”, “There’s a Doctor”, “Shatter the Mirror” and “Tommy’s Holiday Camp” were omitted the first time around and haven’t been inserted. Most of the editing is composed enough but the gaps are tranquil glaring.
The saving graces for this film (and especially this release) are the parts of it that have been done legal. The interview with Townshend is enlightening and luscious (though allowances have to be made for his sense of drama) . The recount is great clearer than before. The sound is vastly improved. It’s noticeable everywhere but particularly outstanding on the bass and drum tracks. Keith Moon’s drums sound the map they should. It’s unbelievable how distinguished of what couldn’t be heard before can be heard clearly now. The same can be said of John Entwistle’s bass lines. Anyone wanting to understand and indulge in his contribution to the group should be watching this dispute. The re-master places his contribution where it should be rather than burying distinguished of it as happened with the first release. And then there’s footage that has been left intact. This is some of the most electrifying concert footage ever captured on film, period. The Who were a blistering band that made playing rock sound and feel like a matter of life and death. If nothing else this film captures that. As such it’s an invaluable historic picture for anyone wanting to know what makes rock and roll tick.
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But, it’s quiet not what it could have been.
First, for those who beget and appreciate the recent release DVD - this remastered version sounds and looks Noteworthy better. Thanks to Pete and Murray for giving us that.
As for all the complaints about choppy footage, missing songs, out-of-order song list and the like, well, they’re all factual.
We should remember that, at the time, neither Murray nor The Who knew that this station was going to become one of the most legendary rock performances of all time. Murray Lerner was out to do a rock movie about the Isle of Wight Festival, and The Who (objective one standout of the many acts who performed there) were going about the business of being The Who. They had performed hundreds of times before this, and had many, many shows to go afterwards. For them, it was unbiased another night on the job, (although it seems to have been an exceptionally righteous one.)
No one knew that Keith would eventually semi-fry his brain and then leave us far too soon. No one knew that the short, fragile, golden age of authentic, people-driven rock was about to raze. If Murray Lerner had been able to know all of these things, I’m obvious he would have given us the complete residence, in order, without a single tag left out. And while we’re dreaming, we’d have a DVD bonus feature of film from a camera pointed directly and unerringly at Keith for the whole length of the concert. Drummers everywhere would give a pint of blood for that one.
But we don’t have these things, and we never will. The cleave footage from the 1970’s editing room floor has undoubtedly long since been swept into the dustbin of history. What we do have, is a peruse of magnificence. We have a flawed gem, and an irreplaceable one. In a nutshell, if Rock and Roll moves your soul, then the Who’s performance on this DVD will leave you slack-jawed.
And when you finally rep tired of watching it, procure off your couch, fetch some people with equipment, state up in your garage, and do something modern, something novel, something that says who you are and what you feel. Unbiased be obvious to do it loud enough to piss off your square neighbors. Somewhere, Keith will be raising a glass to you.
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