Archive for December, 2009

Dec 07 2009

Ostrov (The Island), NTSC version with English subtitles Review At Amazon.

Published by miguelbuchanan1960 under Uncategorized

Ostrov (The Island), NTSC version with English subtitles Review At Amazon..

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Pavel Lungin’s unusual Russian film OSTROV (”Island”) has taken Russia by storm and made quite an impression at Sundance. Is this film about Orthodox Christian spirituality really worth the hype or is its appeal very cramped.

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Ostrov is worth every second of your time! It is attractive, touching, and truly profound. The basic set is about Anatoli, a young Russian boiler-stoker during WWII. Captured by the Nazis, he chooses the coward’s route and shoots his Captain to place himself. The Nazis serene bow up his barge and he washes ashore on a minute island monastery in the Barents Sea. Thirty years later, he’s Father Anatoli-and is he a madman-boiler stoker, or is a a near-Saint who can heal and who knows things?

Father Anatoli is level-headed repenting, despite seeking God’s infinite forgiveness, and this is the theological crux of the film: The free grace/cost-of-discipleship paradox. This spiritual conundrum is hardly original to Orthodox Christianity! Pious Lutherans will seize Nazi-executed Minster/Theologian Deitrich Bonhoeffer’s book, ‘The Cost of Discipleship,’ for instance.

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Anatoli uses his gifts to be a Fool for Christ, who, through humility, can identify the prideful sins of others- Father Job’s vanity at book learning, Father Filaret’s covetousness, etc. Although being a Fool for Christ is more understood in Orthodoxy, the conception exists in the west-witness “Blasillo el Bobo” in the classic Spanish current ‘San Manuel Bueno, Martir’ by Unamuno.

The acting in Ostrov is suitable, the casting subtle and sublime. The cinematography (wide-screen monochromatic) is lovely.

This is a must recognize for anyone alive to in spirituality or repentance.

A final note- in both message and deliberate pacing, OSTROV is a shapely reproach to our quick-fix society, and the spiritual quick-fix, as Father John the Hieromonk of St. Michael’s Skete in Canones, NM points out in a novel article.

I was at first reluctant to watching this movie because of all the hype it receives in Russia currently. Boy, was I depraved! The film is simply quick-witted. Don’t even deem of missing it! Everything is tremendous about this movie. The yarn is really short to come by you into the mood in the orgasmic kind of plan, and it will withhold you at the edge of your sit to the very last second.

Absolutely graceful actors. The film is shot in handsome widescreen - breathtaking cinematography. The only thing unpleasant about this movie is that it is too short! Don’t accept me unpleasant, it is a full-length film, but it’s ended fair a couple of hours earlier than I expected :)

The movie is not fair for movie buffs. It is definitely very artistic, but it is detached for everybody. Unbiased look it! You will not regret it.

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Dec 06 2009

Buy Julia Online.

Published by miguelbuchanan1960 under Julia

Buy Julia Online..

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Wow. This is a sparkling performance in an recent, disturbing and unforgettable film. I was fortunate to view this at a brief theatrical hasten in San Francisco. I haven’t seen the disc but I’ll update this review when I do.

Usually, I procure the feeling that Ms. Swinton says “I’ll do anything!” but that the people who obtain her films believe she’ll do EVERYTHING and present up without the ideas, structure or stamina to abet her wild excursions into darkness and beyond. This film gives her a meaty role in a difficult legend and gives it room to grow. The film is kind of a long shaggy dog yarn, rather like John Cassavetes directing a Sam Peckinpah film.

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This JULIA is a inappropriate, promiscuous, unemployable shadowy out alcoholic who ends up talked into a kidnapping contrivance by the crazy unfit mother who lives in her building. If you reflect this might be your sort of film, be aware- she doesn’t become a saint- or even considerable nicer- over the playing time. When most American films would be wrapping up, JULIA explodes into a recent space, country, style and multiplies in ferocity and violence. Instead of softening into redemption, our heroine meets characters even nastier than she is and is forced to up the stakes.

This is the best female performance I’ve seen since Mimi Rogers in THE RAPTURE. I haven’t been able to halt thinking about it. I can’t wait to notice it again.

Tilda Swinton easily carries “Julia,” with a tour-de-force performance as an out of control alcoholic that gets scheme, arrangement in over her head when she agrees to rep interested in a hair-brained kidnapping intention, one that goes very badly awry. For charting the lead character’s enraged trajectory, the director, Erick Zonka, received a well deserved nomination for a best director, at Berlin and Swinton was nominated for the best actress Caesar, for her performance in this film. Inspired by Cassevette’s “Gloria,” and definitely worth your time.
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Dec 05 2009

CSI: NY - The Fourth Season Review At Amazon.

CSI: NY - The Fourth Season Review At Amazon..

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Another salubrious season that leaves you wanting more. Every episode is filled with drama and suspense.

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They tumble one character that I concept should have been kept…gave us one that can remove a hike. Hardly any narrative about the characters themself, only yarn lines. Danny loses his mind for an episode or two.

CSI Fresh York: The Fourth Season is my approved reveal except for the writers strike that made only 21 episodes this year but, it is sill the best season of all.
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Dec 04 2009

Lowest Price on Shadow Hunters at Amazon.

Published by miguelbuchanan1960 under Shadow Hunters

Lowest Price on Shadow Hunters at Amazon..

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Just received portion one of the 1972 Toho film SHADOW HUNTERS a film that I have been waiting a long time to look. Animeigo has done another terrific job with this one as section of their Samurai film series from Japan on DVD. Can you imagine three cool blooded killers being sent on a mission which is constantly interrupted by ninja, female assassins, and improper officials all desiring a deed these three are trying to narrate to Edo? Lots and lots of blood and violence before they sail off one final time into the sunset. The hand to hand combat with scores of ninja is worth the trace alone as they battle in some really terrific moves toward their unprejudiced. Easy to read subtitles build this streak even more exquisite. And fair judge fragment two with even more action will be released soon. This thirty plus years wait has been well worth it!

MAN!!! What A movie!! This “Ninja vs. Samurai” film IS SOOOO ACTION-PACKED and is HIGH QUALITY. The action scenes were very well choreoghraphied, there is blood and gore, frigid fights between samurais and ninjas, Cold ninja tricks, stunning cinematoghraphy, Mammoth acting and not to mention it’s tantalizing account,…I mean, three samurais wandering around the country killing enemies for money and wanted Wearisome by an army of ninjas. COOOOL!!!!!

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I remember the high quality action-packed fantasy anime called Ninja Scroll that have a similar plan witch is about a wanderer swordman that is also wanted Stupid by an army of ninjas. WELL!! The thought is similar but this movie is NOT fantasy and is about three wanderer swordmen fighting an army of ninjas.

P.S: Another icy stuf is that the director is a celebrity because he is the one that directed TORA!TORA!TORA! If you like Icy action-packed samurai movies directed by celebrities then I recommend Lone Wolf and Cub: Baby Cart to Hades and Zatoichi: Darkness is his Ally.

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Adios.
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Dec 03 2009

The Art of Nature: Jellies Review At Amazon.

The Art of Nature: Jellies Review At Amazon..

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Watch Video Here: http://www.amazon.com/review/R1PYU5B9ZBF637 I first saw this DVD playing on a enormous flat mask in a restaurant. I found it mesmerizing and felt I had to accumulate it. I finally got my copy and have to say that it adds to the ambiance of any site and not only serves as a comely background, but also as a source of escapism and retreat. I highly recommend this to anyone who appreciates the beauty of nature and the benefits of ‘getting lost,’ even for fair a moment.

I purchased this DVD at the Monterey Bay Aquarium after seeing their jellyfish exhibits and can converse you the dvd

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on a huge cloak TV looks better than the right display at the aquarium. Simply awesome. Pretty photography and stout music.

I soon purchased four more of these DVDs as gifts and in the ultimate act of lunancy seriously considered trading up my 42-inch plasma for a 50-inch one to better look Objective this DVD. My friends whom I have given a copy of the DVD fancy it also, although I must admit seeing it on the 25-inch regular TV of one of these friends doesn’t really do the jellyfish justice.

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I work from home and support this DVD going a pleasurable fraction of the day - from time to time I win a few minutes to inspect at the cover and pick in the music — pure therapy.

I cannot recommend this DVD highly enough.
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Dec 02 2009

Observe and Report Review At Amazon.

Observe and Report Review At Amazon..

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Ronnie is a mall cop with sizable dreams: he wants to be a cop. Partly to carry a gun, partly so people will finally respect him. When a flasher appears on his turf, it’s war-especially when one of the victims is Brandi, the makeup-counter girl whom Ronnie has a crush on. But when a actual detective intrudes in the case, Ronnie decides to bewitch matters in his absorb hands-to collect respect, to accept the case, and to obtain the girl.

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OBSERVE AND Picture is perhaps the darkest comedy in ages. Seth Rogen does not play Ronnie as a beloved character, as many a lesser actor would; in Rogen’s hands, Ronnie is a borderline-sociopath, a bipolar loser who is as hilariously mild as he is hazardous. Anna Farris, as Brandi, is a comedic delight as always; she throws her self-esteem to the wind in order to wring the last dinky laugh from every scene. Michael Pena, as Ronnie’s sidekick, is a scene-stealer. However, it’s Ray Liotta who walks away with the only character to occupy his believe against Ronnie; as Detective Harrison, Liotta is tough and unforgiving, and the climax between the two ends the only plan it could (though you’ll be holding your breath the whole blueprint) .

In other words, Jody Hill’s Glimpse AND Represent is the darkest of sunless comedies, often bordering on a (non-supernatural) anxiety movie; the comparisons it’s garnered to TAXI DRIVER are well-founded, and often-times you don’t know whether to wince or laugh. Hill doesn’t fair steal things too far; he takes them to limits no one else would dare to. Ogle AND Record is not a comedy for the squeamish, but it’s certainly a film for those of us who don’t mind a few chills with our comical thrills.

Not to say that writer/director Jody Hill is the current Scorscese (he’s not), but I was constantly reminded of Scorscese’s early 80s disturbo-comedy “King of Comedy” when watching this. Whereas Scorscese uses stark realism, though, Hill uses the conventions and expectations of new comedy to nail us. This could have easily been another indecent and obscene comedy along the lines of Superbad or Pineapple Insist. Those (hell, most) comedies made today feature borderline-sociopathic, emotionally-retarded, and hopelessly immature males. Hill simply tips his characters over the edge. There is no denying that Ronnie (Seth Rogan) is a full-blown psychopath. What’s surprising is how cessation this character is to every other character Seth Rogan has ever played!

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Your reaction to this film will be greatly effected by your expectations. If you question an extremely sunless, yet often amusing, film instead of yet another “Superbad” or, god forbid, “Paul Blart: Mall Cop”, you should not be disappointed in the least.

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Dec 01 2009

Buy Immortal DVD at Amazon.

Published by miguelbuchanan1960 under Immortal

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Let me express you about the director first. Enki Bilal, born in Yugoslavia, moved to France when he was 10, and has become one of the most influential humorous book artist in France since around 1980. His works include ‘Nikopol Trilogy,’ and this French film ‘Immortal’ (his third entry as film director) is based on the first two books of the series.

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I said this because the merit of ‘Immortal’ lies all in its visual imaginations. The film’s chronicle with many characters is very confusing, revealing its origin. The film is visually enthralling for it was shot against the background of green-colored shroud, on which the buildings or the landscapes of the city is digitally painted. The diagram is similar to that of ‘Sky Captain’, but the effects are quite different as I define later.

[THE STORY] is complicated, and the film refuses to clarify some fragment of it. ‘Immortal’ is residence in the year of 2095, Novel York City, where cars are flying between the skyscrapers, but one unusual thing is floating on the air — that’s a pyramid, out of which a naked man with a bird’s head emerges. His name is Horus, a convicted deity who is given seven days to do something on Earth, borrowing the body of a convicted human Nikopol.

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The nature of the crime of Nikopol (played by Thomas Kretschmann, ‘The Pianist’) is only vaguely suggested, but anyway Horus possesses his body, and controls him as he wishes. Then, his purpose will be obvious when Nikopol/Horus approaches to a mysterious woman Jill (ancient Miss France Linda Hardy), whose skin is all white and whose blood is blue.

Kretschmann, Hardy, and Charlotte Rampling (as Jill’s doctor) appear as live-action actors while most of the other characters are created with CGIs by a French studio. The CGI-created characters peep like those you have seen in the film version of ‘Final Fantasy’ and in this sense ‘Immortal’ is more ambitious than ‘Sky Captain.’ Absorbing thing is one of the CGI characters (Rampling’s estranged husband) is played by uncredited Jean-Louis Trintignant (deny only) who had appeared Enki Bilal’s first film ‘Bunker Palace Hôtel.’

[VISUALS] I like the visual imagination of ‘Immortal,’ but many fans would point out, quite rightly, that the future world of ‘Immortal,’ impressive as it is on its contain procedure, are not as novel as it looks. You remember classic ‘Blade Runner’ ‘The Fifth Element’ and one Japanese genius Otomo. To be graceful, as I wrote before, Enki Bilal’s novel comics predate them (the first Nikopol comical was published in 1980), but unruffled complaints are understandable.

But if the film is flawed (and I judge it is), that is because of the visual itself, I mean, the CGI parts. To be objective, the CGI-drawn characters (of a greedy senator, a detective, a immense company executive, etc.) are all poorly done, and their bodily or facial movements are unnatural and awkward. I am really terrorized that they are giving serious damages to the whole film.

But as you will survey, the talent of Enki Bilal is undeniable, and his vision is presented effectively with the other-worldly but retrospective descritions of the city of Unique York in 2095, which is beautifully drawn with blue and grey (red is seldom seen) . Far from perfect, but the describe is worth seeing.

Bilal is best known as a comical artist. I’ve liked his work visually: he tends towards a restrained and idiosyncratic palette of colors, but uses strong color where it makes a point. He makes each character stand out, and counts more on visual impact than physical credibility for bringing his worlds to life. I’ve always found hazardous record development in Bilal’s stories, but with visuals that preserve me going to the ruin.

That’s what this movie was like: visually noteworthy, but baffling as a anecdote. Mature Egyptian gods near to Earth, in a massive pyramid poised over a major city. The city takes surprisingly slight see, until an exiled god seeks a human host body, then seeks a human female. OK, it’s enough to carry the movie, but nothing spectacular. It’s all the characters that manufacture it work as an experience for the eyes, with their distortions, exaggerations, and fresh visual style.

That style is carried in an alternation of live action sequences (with CG effects, of course), and animation on a par with Final Fantasy. The alternation wasn’t quite seamless, but wasn’t quite blatant enough to act as a story tool - I hope his future films build better expend of each medium’s strengths. The general styling stuck finish to the subdued colors of Bilal’s comics, even a restrained blue for the skin tones of the Jill, the female lead. Color dominates only in the final scene, richly enforcing the “fresh day dawning” theme.

“Immortal” is a distinguished crossover for a celebrated droll artist, apparently adapted from his “Nikopol Trilogy” of DC comics. It’s an attractive anxiety, and enough to sustain me alive to for more.

//wiredweird
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