Archive for the 'I Vitelloni - Criterion Collection' Category

Oct 15 2010

I Vitelloni - Criterion Collection Streaming

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Movie Title: I Vitelloni - Criterion Collection
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Trapped in a timeless sphere without pressure of accomplishment, maternal cherish nurses five men contrivance past their adolescence in a cramped tourist town by the Adriatic Sea in post-war Italy. These five men drift around dreaming of an run from the town, but a lack of motivation keeps them prisoners at the seaside position. The mutual motivations for the five men that keeps them adrift are women, wine, and the stories they direct each other. However, each character has his bear motivating factor that drives him forward in daily life.

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The group of the five men consists of Fausto (Franco Fabrizi), Alberto (Alberto Sordi), Leopoldo (Leopoldo Trieste), Riccardo (Riccardo Fellini), and Moraldo. The group’s leader Fausto, a perpetual flirter, has gotten a young elegant woman pregnant. Fausto’s father insists that he do the lawful thing and marry the girl before she is disgraced in public. The slothful Alberto is the groups clown who is dependent on his mother whom he will never leave. Alberto frequently pleads for money from his sister as he is continuously broke. Eventually Alberto finds out that his sister has a married lover and it angers him. Leopold an aspiring writer and the sparkling of the group dreams of fame and success. The singer Riccardo follows the group on its nightly adventures. Moraldo is a philosophical moralist that wanders the streets at night deep in notion as he sees faults in the method they all live life. However, Moraldo has not yet found the courage to leave the slight seaside town.

I Vitelloni is the second film that Fellini directed by himself which he also co-wrote with his talented brother, Riccardo Fellini. Riccardo and Federico based the script on semi-autographical accounts from their home town and a life which they both were very grand inclined to depict. Unlike many of Fellini’s later films I Vitelloni displays some of the Italian neo-realistic cinematic qualities that were accepted in the period when the film was shot. The realism brings an unprejudiced and warm atmosphere to the film which emphasizes the apt nature of the characters. Realism in the script allows the audience is to experience an examination of the different characters in the film. This character peruse brings the audience candid emotions and a lustrous cinematic experience that warms the heart as there are hopes and dreams for us all.

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A group of middle class “yoots” hang out together, bonded by well-liked roots and experience, but also by the process of self-discovery as the onset of adulthood face them with the coming of responsibility and the isolation of individuality. The focus of this fracturing process falls on one guy who discovers that his girlfriend is pregnant. If the set sounds familiar, well it’s because coming of age is a universal experience that crosses generations and cultures, and rarely fails to to fabricate an intense sense of nostalgia.

What differentiates Fellini’s film (beyond the fact that it pre-dates similar radiant from the French Modern Wave, British 60’s, Graffiti-Flatbush-Diner, etc. whose unique accessibility acquire them more familiar) is simply the sheer talent of the story-teller. The man could reveal characters and situations that smooth proceed and snort us. His later, more renowned epics of excess were well grounded in this same pretty sense of humanity. This is the first advantageous film by one of film’s most reliable directors.
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