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I was never really involved in drinking alcohol and after catching “Days of Wine and Roses” on leisurely night television I knew I was never going to drink, never find drunk, and never raze up like the character of Joe Clay, played by the tedious Jack Lemmon. Joe is in public relations and cannot have a great time unless he is drinking. He meets up with Kirsten Arnesen (Lee Remick), and informed she does not drink but loves chocolate, he orders her a Brandy Alexander. Joe and Kirsten marry, although her father Ellis Arnesen (Charles Bickford), is not clear he approves. Joe’s alcoholism finally costs him his job and by then Kirsten is boozing impartial as powerful. In one of the most dismal scenes in movie history, Joe destroys the Arnesen greenhouse, looking for the bottles of booze he has buried with one of the plants. With the aid of A.A. Counselor Jim Hungerford (Jack Klugman), Joe finally starts to accumulate his life together. But Kirsten cannot do the same, even for the sake of their daughter Debbie.

With Lemmon’s death a lot of his venerable movies are suddenly popping up on cable television. I watched “Days of Wine and Roses” again last night and it is every bit as distinguished and as horrific as I remember. No other film has made the life of an alcoholic survey so hopeless, not “Leaving Last Vegas” and certainly not “Lost Weekend.” Lemmon and Remick were both nominated for Oscars for their performances, while Henry Mancini’s title song won the Academy Award. Charles Bickford repeated the role he originated in the “Playhouse 90″ version aired in 1958, which was directed by James Frankenheimer. Blake Edwards directed this 1962 movie because the studio told Frankenheimer he could not announce a comedy like this film. Both scripts were written by J. P. Miller. Bottom line: Nobody who ever watches this movie will ever forget it.

Joe Clay (Jack Lemmon) is an up-and-coming Public Relations agent in the era of the three-martini lunch and “drinks with the boys” following the workday. While providing a client with, literally, a boatload of girls, Joe meets receptionist Kirsten Arnesen (Lee Remick), a valid girl from a stable country upbringing.

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Joe introduces Kirsten to alcohol in the effect of a Brandy Alexander, and before long the two tumble in adore and marry. Joe provides a sterling living for his wife and original baby daughter, but becomes unhappy from the calm family life and a baby that takes up all of his wife’s attention. In a truly gut-wrenching scene, Joe berates and completely degrades Kirsten for not being any fun anymore, throwing a temper tantrum while drunk and demanding that she conclude nursing her bear baby (mammary envy) because its going to destroy her shape. A very poignant and heart braking scene.

Kirsten is deeply in cherish with Joe, and concedes to his demands to “loosen up a diminutive and be fun again”, which means having a couple of drinks with him. It isn’t long before Kirsten is drinking all the time, and very favorite of women in the early sixties, Kirsten starts smoking (probably to succor lose weight, though this isn’t mentioned beyond Joe’s comment about her shape) .

Buy,Download, Or Stream Days of Wine and Roses! Click Here

Buy,Download, Or Stream Days of Wine and Roses! Click Here

Joe’s career slides as his drinking increases, causing him to be tedious for work and upsetting his clients. His company assigns him to a lower-level client in far away Houston. While Joe tries to do his job there, Kirsten sets their apartment on fire from drinking and smoking. Joe is fired, and not long afterward Joe has an epiphany. He is a bum, and his wife is a bum, and they need to close drinking.

Kirsten’s father takes the struggling couple into his home where he runs a nursery. After a couple of months sober, Joe and Kirsten topple off the wagon together in a riotous binge in their room. A second very poignant incident follows where Joe trashes his father-in-law’s nursery looking for the bottle he hid. This scene may seem overdone at first, but unbiased tune into one episode of ‘Cops’ and you will perceive how well Jack Lemmon played this scene.

This time, Joe winds out in the hospital going through some overblown withdrawal symptoms, and it is here he meets Jim Hungerford (Jack Klugman) from Alcoholics Anonymous. Once in AA, Joe tries to fight his disease, while Kirsten remains in absolute denial of being an alcoholic. You must remember that this movie was made in 1962, and there was quite a stigma attached to being an alcoholic, the 60’s version of a scarlet letter.

There is no happily-ever-after in this movie. Though made in 1962, it is composed the best of the ‘alcoholic’ movies ever made. ‘Leaving Las Vegas’ certainly portrayed a down-and-out alcoholic, but the character Ben from that original portrayal wanted to die. ‘Days Of Wine And Roses’ is the fable of two people’s struggle against alcoholism, not their submission to it.

There is nothing outdated about this movie except the fashion; times change, behaviors don’t. Kirsten’s confession that she “unprejudiced wants things to leer prettier than they are” rings so proper to addiction in any get or from any era. This movie is about people and the disease, not the time-period, so it stands up to any of the recent day addiction stories.

‘Days Of Wine And Roses’ is a correct classic, a timeless fragment that is both black and lively. Select a hastily mark of the fact that in Joe and Kirsten’s first apartment, the bar was true outside the baby’s room. I understanding that was a bit ironic.

If you like addiction movies, recent pieces like ‘Leaving Las Vegas’, ‘Requiem For A Dream’, ‘Spun’, or ‘Fear And Loathing In Las Vegas’, you will treasure ‘Days Of Wine And Roses’. Luxuriate In!

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