Archive for December, 2009

Dec 23 2009

101 Dalmatians II - Patch’s London Adventure Review

Published by miguelbuchanan1960 under Uncategorized

101 Dalmatians II - Patch’s London Adventure Review.

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This is one of the better Disney sequels.The animation, voices, and music have more notion unhurried them than previous sequels. The residence is first-rate and and burly of humor. ( Martin Short is very silly as Lars the artist as is Barry Bostwick as Thunderbolt.) Patch is feeling lost in a sea of puppies becomes a hero in the kill saving his family from Cruella. The account has something for adults as well as kids. If you and your children devour the recent then this one will be scrumptious as well and worth the money.

I expected this movie to be a lame sequel, since I really hadn’t heard anything about it. But I thoroughly enjoyed it, and it made me nostalgic about the current which was my current movie growing up. I really felt for Patch, who had to deal with being not one of a kind as he liked, but 1 of 101, which is clearly intense competition. He gets himself seperated from the rest of his family and into cahoots with Thunderbird, the “wonder-dog” from his well-liked TV present. They both have to derive the right hero within and once again effect the puppies from the clutches of madwoman Cruella Devil. The unusual characters all near support, from Pongo and Perdita, Roger and Anita, Cruella and her goons, the feisty nanny and of course the puppies. The novel characters blend in perfectly; Lars the artist who paints spots and is rapidly discovered by Cruella, and the dogs from the Thunderbird indicate. The animation was done in a similar fashion as the novel, which made it seem more closely linked. In general an delightful movie and a stronger rush to enjoy a dalmatian myself. :)
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Dec 20 2009

Buy Vietnam War: America’s Conflict At Amazon!

Published by miguelbuchanan1960 under Uncategorized

Buy Vietnam War: America’s Conflict At Amazon!.

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Mill Creek’s VIETNAM: AMERICA’S CONFLICT is one of the strangest things I have ever seen. I say that because of what it simply is: A collection of Department of Defense & US Military made propaganda films intended to sell the war in Vietnam to America’s population like MacDonald’s sells hamburgers. Many viewers may be downright revolted by the whine of these short films, most of which are no more than 30 minutes long. Revolted not by scenes of carnage or suffering — though rest assured there is plenty of that — but revolted by the advance frail by the narrators to characterize the activities depicted. Words like “heroism”, “combat effectiveness”, “decisive victory” and “honor & duty” are not what most of us associate with the Vietnam War.

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And yet that was sort of the deal at the time most of these were made, between 1965 and 1969 or so, before the tide of public idea had turned against the pain. If you have ever wondered how on earth people could have been surprised that we “lost”, here you go. If you were to possess the jingoistic, upbeat, optimistic tone of these short documentary films you’d have expected us to pick up. Or establish it this way: If what is on these DVDs is the only information you have to judge about the Vietnam War, you’d be hard pressed to have that we actually managed to LOSE.

That’s what makes them propaganda. They are meant to convince viewers that not only was the military worry going well, but that by golly some of it might actually be kind of fun, especially scenes of flyboys celebrating with champagne encourage at the Bien Hoa air defective after their squadron’s 25th successful bombing raid. Later, they relax at an on-base officer’s club while enjoying a song & dance routine by a famed celebrity couple organized by the USO program. We behold films of tickled Viet Cong defectors undergoing proper looking interrogations overseen by US advisors, plucky US medics treating the sick & infirmed in native jungle villages, plenty of hearts & minds & skirmishes being won, and lots of brave shots of American firepower giving their best to one Mr. Victor Charlie. Objective with none of the introspection or second guessing popularized by such mainstream entertainments as APOCALYPSE NOW, PLATOON, Fat METAL JACKET, HAMBURGER HILL. THE BOYS IN COMPANY C, 84 CHARLIE MOPIC or GO Reveal THE SPARTANS. It looks profitable, it looks tidy, and gosh darn if some of it doesn’t survey downright fun.

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Is this for sincere? You have to ask yourself that, and the reply in slow doublespeak is yes. This is really the intention that the war was promoted for the first few years before images of the Tet Offensive, Walter Cronkite asking “What the hell is going on here? “, and Army colonels describing how they had to extinguish villages in order to establish them, it’s the intention the government told things before the war’s more ghastly events got in the map of all the nation building. Developments like the My Lai Massacre, the release of the Pentagon Papers, accidental B-52 bombings of Cambodian villages, and the backlash against Lyndon Johnson’s presidency were yet to happen. And when you acquire down to brass tacks, the US Military more or less “won” every battle they fought in Vietnam, our soldiers really did succor with honor & distinction, and the South Vietnamese people really were grateful for the assistance we provided. For a while, at any rate.

History has painted a somewhat different relate, however, and these shamelessly agendaized propaganda films are one of the few surviving records of how things went until somebody wrecked all the fun. War is a deplorable, vicious, sinful thing, and as Captain Kirk said the only reliable that can approach of it is it’s ending. The purpose of it is to shatter things and extinguish people and for that matter these films are quite refreshing in depicting our military industrial complex’s zeal for doing so … unbiased without all of the humanist snarl of the later Hollywood drive to tap into our collective national guilt over the results. It is downright surreal to observe some of these events, especially with the bizarre narration praising things like napalm, defoliants, ruthless intelligence networks, and the gung-ho “can-do” spirit of our men in uniform. There is no apology for the tonnage of bombs, millions of bullets, determination to prevail and lack of remorse for the consequences, both top-notch and abominable. And don’t judge for a shrimp that the camera shies away from the casualties, they are shown to do a point about the inevitability of loss and assert viewers to be pragmatic about it. To beget an omelette you gotta wreck a few eggs, ogle.

About the DVD presentations all of the transfers appear to have been struck from the novel film stocks, most of which were 16mm and probably screened between attractions at your corner cinema to white middle class male audiences who nodded with approval while lighting up recent cigarettes from the snack stand. Some arrive from more degraded sources and for my money they are even more disturbingly surreal for being tattered & worn; evidence that people actually did sit through these at one time. The only right complaint I have is that each individual “chapter” or program can only be played at a time — there is no continuous play function in the DVD menu, and sadly as can be expected for budget line public domain trash DVD production there is no accompanying text to justify exactly what you are seeing. The sheer magnitude of material far from compensates: 1042 minutes, or roughly 23 hours of footage that contemporary thinking would have you possess never even existed. And to reply in come a expect from those who like me may maintain a few other collections, there are indeed identical programs as seen on stuff by Brentwood/BCI, St. Clair Vision, Platinum Disc & others. There’s unprejudiced a heck of a lot more of it, and without some of the clumsy editing done by those other companies to do it appear like this was their occupy work. Mill Creek at least has the balsam to display you exactly what these movies were really about, warts & all.

Is it ethical to assume about this as entertainment, though? I have been wondering about that since first discovering these collections and seeing the overwhelmingly negative comments left by people who didn’t understand what they’d be getting. I consider that’s what might bug the majority of those who have left and will continue to leave negative comments, having bought these collections expecting something else. Therefore some criticism aimed at Mill Creek and the other public domain companies who publish DVD compilations of this stuff is in order — When people read “Vietnam War Documentaries” they believe about grim, hard-hitting exposes that ask the human cost of the conflict, preferably on both sides. By comparison this stuff is one-sided, upbeat, lacks any regret, and nearly comes halt to celebrating the Hell that is War without even batting an eyelash. It is a profoundly peculiar thing to spy.

So be forewarned: Unless you have a zigzag sense of humor or an appreciation for (or need to learn about) US government produced wartime propaganda, you might want to stick to something by PBS, or even unbiased rent APOCALYPSE NOW, because you won’t gather any of that liberal mamby-pamby apologist humanizing here. But for anyone with maybe a need to learn about how war is sold to people who couldn’t even disclose the names of the towns (sound familiar? ) this stuff is priceless, and evidence of a masterpiece of applied surrealism on a horrifyingly vast scale.

4/5

As the son of a Vietnam Worn I score this DVD station to be very useful and in many cases found upright the histories of distinct units. If you’re anti-war and anti-military don’t gape these films but if you’re genuinely fervent in military history and the history of the Vietnam War pick these. They’re cheap.

Sure, it’s the “government” perspective … but it is what it is. If you can accept past the dated style of narration, there is also a lot of information in these films which is very correct. I personally learned the timelines of some operations my dad’s division was keen in. And this is footage of the main units serving in The Nam compiled in one situation for less than ten dollars. I also got to learn about a riverine Navy Unit an uncle of my mother was eager with. I would ask him about it myself but unfortunately he’s slow due to Agent Orange.

The people that build this DVD position together are really doing the public a service. I have some of these films already but I had to go to the National Archives and copy them myself. I’ve gathered up films like these and done my fill interviews to succor say the epic about my dad’s unit, but there were some films on this dwelling I didn’t catch or even know about and now I’ll go behold for them on my next visit to the National Archives.

If you want the “truth” about the Vietnam War talk to the Veterans who were there. That’s as discontinuance as you’ll pick up. People who weren’t there or don’t have family members or friends who were there and to protest them what it was like aren’t going to know what really happened there. Maybe if people launch to document the histories of the Vietnam Veterans the public will have a better idea. Unfortunately, most of these vets have mostly remained tranquil all these years because of the very kind of people who would simply call these films propaganda and then dismiss them and say we lost the war. Meanwhile, for those of us who are enchanting about the war, time is not on our side as Agent Orange, PTSD, etc. are decimating these Veterans most of whom are “valiant” and “suited.”

I’ve been interviewing my dad and people from his unit and the chronicle they insist is quite different than what the media, the government or some anti-war protesters in some cases reading North Vietnamese “propaganda” in the 60s and 70s have told us over the years. War is never favorable, but the WWII Veterans (who fought the ‘good war’), for example, were not the only “band of brothers.” There were “bands of brothers” in Korea, Vietnam and I can guarantee fair now in Afghanistan and Iraq - maybe we’ll hear their stories someday too.

Furthermore, if you’re looking for one documentary to say the anecdote about an entire war in “Indochina” that took 10,000 days and went from the 1940s until the slow 1970s then you’re going to be very disappointed. A lot of the stuff presented in these films is what really happened but with all public relations the entity tedious the material … in this case the government … is putting their swagger on it though these films are in ways ways lawful. So, check these “government films” out, they’re radiant absorbing, then do yourself a favor … obtain friends with some Vietnam Vets, thank them for their service in The Nam (whether you agreed with the war or not) and listen to what they have to say if they’ll disclose you. Also, read some agreeable books like Stanley Karnow’s Vietnam book, Herr’s book, “Dispatches”, Joe Galloway and Col. Moore’s two books, and a book called, “The Rise and Descend of an American Army” also read some of the the scores of books written by the vets themselves like “and a hard rain fell,” and “Brennan’s War” and “Ghosts of the Highlands.” I’ve found a few documentaries particularly interesting: Vietnam: A Television History, Inside the Vietnam War, the 10,000 Day War, etc, etc. The television series, though it’s fiction, “Tour of Duty” is also well done.

If you gaze at things and seek them from many perspectives you’ll salvage the truth about the war isn’t simple and the Vietnam War was very complicated. You’re also going to learn that the guys who were there, for the most portion, were valid people who were drafted or joined the military and then did their jobs honorably in some of the worst circumstances or even worse than people, myself included, can imagine. Even I can’t imagine what they went through … but I know how my dad is after doing two tours there. It’s in his eyes.

If you gawk the history of our military in Vietnam you’ll also learn that they never lost a major battle and the war was lost politically not militarily. You’ll also learn that the seeds of the war began in the 1940s and wasn’t the fault of 19-year-old boys who people spit on and called names upon returning home from their tours of duty.

If you want the total truth, you’ll never salvage it, it doesn’t exist … the Vietnam War is tranquil controversial 40 years after the U.S. started way down it’s troops there. The Vietnam War is a never ending chronicle and you’ll never collect to the raze of it and it will unexcited be debated years from now.

I for one, am gay these films were preserved by the government and someone understanding to set them on a four DVD location that can be found online for less than 10 bucks.
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Dec 19 2009

Scare Tactics: Season 3, Part 1 Review At Amazon.

Season 3, Part 1 Review At Amazon.. Scare Tactics: Season 3, Part 1 Review At Amazon..

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This DVD is HILARIOUS! Savor the yelling, swearing, and NO BLURS! Hello? When they say UNCENSORED, they are not kidding. These people freak out and finally you secure to hear what they really said. Tracy is awesome. His outtakes are so silly.

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TOO HOT FOR TV - - TOO Amusing!

You’ll care for Awe Tactics Season 3 Fraction 1 - UNCENSORED! Hosted by Tracy Morgan (30 Rock, SNL)

Scare Tactics is easily the most innovative and sinister hidden camera comedy demonstrate on TV. And Tracy Morgan is the perfect host to glean the laughter going. The 2 DVD region contains 13 UNCENSORED episodes plus bonus footage including hilarious Tracy Morgan outtakes.

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The best portion about this DVD station is that it is the ONLY Area where you can peruse the victims’ right reactions - raw and unbleeped! The UNCENSORED versions of these Dismay Tactics episodes can’t be downloaded anywhere! So these DVDs are a MUST for suitable Fright Tactics fans.

Disc One includes “Satan’s Baby” which was voted #1 prank by VH1’s “40 Greatest Pranks” special.

See clips and unusual video at the Panic Tactics YouTube channel.
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Dec 17 2009

Lowest Price on Gigi at Amazon.

Published by miguelbuchanan1960 under Gigi

Lowest Price on Gigi at Amazon..

Product: Gigi
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This review is of the DVD. If you haven’t seen this 1958 classic in widescreen format, you really haven’t seen it. Director Vincente Minnelli (Liza’s father) fills each frame beautifully, often composing scenes reminiscent of the impressionist painters he so loved, such as Renoir or Seurat. Letterbox-haters, this is a trustworthy test of the superiority of seeing a movie the plot the director intended, not crammed into the 1:1.33 TV shroud. (The DVD includes both versions, so comparison comes cheap.)

The year is 1900. Gigi (Leslie Caron) is a pubescent young woman who becomes more and more beautiful to millionaire Gaston Lachaille (Louis Jordan) . But Gigi’s family has a tradition of “Instead of marrying at once, it sometimes happens we secure married at last.” Making the tradition from pre-teen to handsome young woman, awkward Gigi is “trained” in the arts of catering to men, such as choosing a cigar, walking elegantly and pouring coffee in the best French manner. The payoff for this kind of training is to believe a rich young gentleman’s bed-until he tires of this courtesan and moves on. While tranquil in favor, the lady in inquire lives in luxurious style: tutor Aunt Alicia (Isabel Jeans) advises her charge to “Wait for the first-class jewels, Gigi. Maintain on to your ideals.”

The team of Lerner and Loewe wrote songs for this musical that include such favorites as “Thank Heaven for Puny Girls” and “The Night They Invented Champagne.” On its initial release “Gigi” was touted as the cinematic equivalent of their shatter Broadway play “My Sparkling Lady,” as the movie trailer on this DVD makes apparent. Gigi won a slew of Oscars, beating out the presumed common, Susan Heyward in “I Want to Live.”

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It is no mistake that the compilation film of MGM’s best musicals, “That’s Entertainment,” features Gigi as the last chronological example of the MGM high-quality, lavish musical. Minnelli would go on to assure many more films, including the 1960 musical “Bells Are Ringing” with Judy Holliday and Dean Martin, but “Gigi” was really MGM’s “swan song” for expensive musicals, which were getting harder and harder to mount because of television and changing musical tastes (like Elvis) .

With a lot of begging and pleading from the director and producer, the studio spent enough money in Hollywood to duplicate Maxim’s restaurant and the Ice Gallery, a common meeting-place for the 1900 elite. Minnelli’s visual wit is visible in the plan he frequently uses dependable Parisian backgrounds of fountains and statuary, indirectly symbolizing and commenting on the mental station of the actor in front.

The whole cast is fine, including Hermione Gingold as Gigi’s grandmother and the incomparable Maurice Chevalier as Gaston’s uncle, Honore Lachaille. It is itsy-bitsy wonder that this film is the very favorite-or discontinuance to it-among lovers of musicals. “Gigi” is first-class all the blueprint. Even people who don’t often remove musicals may well like the film for its masterly visual style and recreation of turn-of-the (last) century Paris.

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What more can I say? Pick Up ahold of this film Good NOW while the imprint is so estimable. I don’t contemplate you’ll regret it.

For those wondering why they should capture another edition of “Gigi” on DVD, here are all the extras; however, if you hold a Blu-ray, you might want to wait and pre-order Gigi [Blu-ray]. Other than the technical specs, the extras are the same on both versions.

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Winner of 9 Oscars, “Gigi” was produced after the demise of the unusual 3-Strip Technicolor system, and photographed in the industry-standardized Eastmancolor process, which had a tendency to disappear to reds and purples. For this fresh DVD release, Gigi has been photo-chemically restored from its new camera negative and safety separations to construct a mighty sharper and brilliant image than has been seen in decades. It also contains a 5.1 audio mix created from the unusual multi-track source elements.

Disc 1 (Gigi ‘58) : 2.35:1 Anamorphic Widescreen * English DD5.1 Surround * French Mono * English, French and Japanese subtitles * Bluray specs: 1080P 2.40:1 Widescreen, English 5.1 Dolby TrueHD, English 5.1, French 2.0, Spanish 1.0 (Both Castilian and Latin), German 1.0, Italian 1.0 Dolby Digital, Subtitles (Main Feature) : English, French, Spanish, Danish, Dutch, Finnish, German, Italian, Japanese, Norwegian, Portuguese, Swedish, Subtitles (on Purchase Bonus Material) : English, French, Spanish, German, Italian, Japanese, Portuguese

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*New Commentary with Leslie Caron & Film Historian Jeanine Basinger

*The Million Dollar Nickel [1952 MGM short]

*The Vanishing Duck [1958 MGM cartoon]

*Theatrical Trailer

Disc 2: “Thank Heaven! The Making of Gigi” The myth of how 1958’s Best Record winner (the last of the classic MGM musicals) survived a turbulent production that included censorship battles over its plucky sexual whisper and creative struggles between a studio in turmoil and a demanding, visionary director. Featuring an all-new interview with star Leslie Caron, and a rare interview with Oscar-winning director Minnelli

Original 1949 Nonmusical version of Gigi starring Daniele Delorme in the title role and directed by Jacqueline Audry (in French Mono with English subtitles)

For those not familiar with the location, Gaston (Louis Jordan) is the descendant of a wealthy Parisian family who rebels from the superficial lifestyle of upper class Parisian 1900s society by socializing with the frail mistress (Hermoine Gingold) of his uncle (Maurice Chevalier) and her outgoing, tomboy granddaughter, Gigi (Leslie Caron) . When Gaston becomes aware that Gigi has matured into a woman, her grandmother and aunt (Isabel Jeans), who have educated Gigi to be a wealthy man’s mistress, enjoin on him to become her provider and on her to win such a golden opportunity. However, accurate adore adds a surprise twist to this Cinderella memoir that was actually filmed in Paris.
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Dec 16 2009

Buy San Francisco Blu-Ray at Amazon.

Published by miguelbuchanan1960 under San Francisco

Buy San Francisco Blu-Ray at Amazon.. Buy San Francisco Blu-Ray at Amazon..

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“San Francisco”, MGM’s ‘Showcase’ film of 1936, demonstrates why no other studio could ‘touch’ Metro at it’s prime. Assume the biggest star in Hollywood, team him with the ‘Queen’ of 1930s MGM musicals, add the greatest film actor of a generation in aid, then top things off with a ‘no-expense-spared’ recreation of the most noted earthquake in American history, and an instant Classic was born!

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Seventy years later, the film has lost diminutive of it’s luster; certainly the ‘Message’ is a bit heavy-handed, the long opera sequences may develop some viewers cringe, and some of the effects (absorbing double exposures) seem quaint in an era of CGI…but Clark Gable mild projects his signature cockiness and virility, Jeanette MacDonald is composed fine (and can definite belt out “San Francisco”), and Spencer Tracy is calm graceful (it is easy to spy why he received a ‘Best Actor’ nomination, in what was obviously a supporting role; he easily steals the film, in every scene he’s in) .

Directed by the grand W.S. (’Woody’) Van Dyke, a consummate craftsman, and one of MGM’s fastest directors (contradictory terms, but he combined race and style, effortlessly), with a screenplay, surprisingly, by future “Gentlemen Pick Blondes” author, Anita Loos (from a tale by Robert Hopkins), “San Francisco” exudes confidence, from the riotously decadent Novel Year’s Eve, 1905, opening scene, to the finale, as Gable, MacDonald, Tracy, and, apparently, most of the survivors of the earthquake and fire march to a hilltop, vowing to originate a ‘better’ city, and singing “The Battle Hymn of the Republic”, as they opinion the smoking ruins, which dissolves into the ‘modern’ San Francisco of 1936.

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Corny? Certainly! But undeniably rousing, as well!

The ‘Special Features’ are profitable, as well; the TNT documentary, “Stout, Black, and Handsome: Clark Gable”, while glossing over some ’seamier’ chapters of Gable’s life, does offer insights by the daughter he secretly fathered by Loretta Young, and the son he died before ever seeing…and the biography is VASTLY salubrious to the one offered in the “Gone with the Wind” Special Edition. An ‘alternate ending’ is barely different from the accurate one, other than offering more views of the city, but the 1936 MGM cartoon (”Bottles”) is astonishingly well-crafted and fair in Technicolor, and two Technicolor ‘TravelTalk’ short features, from 1940, on San Francisco, and Worship Island, at the time of the 1939-40 World Exposition, are both very fascinating and a visual ‘time machine’ relieve to a simpler era.

This is a astounding DVD, certainly worth owning!

From the mid 20s till the mid 50s, METRO-GOLDWYN MAYER(MGM) boasted they had more stars than there are in the heaven. MGM was the first studio to release a film with more than two stars(it was in 1932 - the Academy Award winning Immense HOTEL starring Garbo, Beery, Crawford and Lionel Barrymore) . SAN FRANCISCO proved to be one of the finest that ever came out of Hollywood. 3 Stars; Clark Gable, Jeanette MacDonald and Spencer Tracy; strong record containing drama, music, song, romance A N D disaster; location decorations by Cedric Gibbons, special effects that has never dated, realistic scenes from ol`Frisco, though everything was shot in the MGM studios at Culver City. SAN FRANCISCO is a film that will never lose its appeal because of all these ingredients. This film is a MUST-SEE. One of the best that was ever made.
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Dec 14 2009

Buy Shirley Temple Storybook Collection 6-pk At Amazon!

Buy Shirley Temple Storybook Collection 6-pk At Amazon!. Buy Shirley Temple Storybook Collection 6-pk At Amazon!.

Product: Shirley Temple Storybook Collection 6-pk
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As the product’s name suggests, the Shirley Temple Storybook Collection contains previously unavailable episodes from the star’s short-lived fairytale TV series, The Shirley Temple Note. Shirley serves as your endearing host and navigator as the hottest stars of the `60s parade through several DVDs of familiar and less-known fables and fairy tales. Several notes to the prospective buyer: Shirley is a fully grown young woman by this time, so please don’t go into this expecting an adorable microscopic girl. Secondly, although Shirley hosts every episode and is occasionally engaged as a minor role, she is not the star in these features-that job is delegated to luminaries such as Landau and Moorehead.

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That said; this DVD pack is an ample opportunity for the avid Shirley Temple fan to expand their collection with material that hadn’t been available for nearly fifty years. Fans would also relish the opportunity to peep the star in her later years, since we all too-often neglect that phase of her career in favor of our idealized childhood image of the actress. In any event, this pack is an suited value for the money and an equally top-notch procedure to exhibit children to a Disney-free version of celebrated stories (because why should one company have a monopoly on your children’s minds? )

I bought this collection on the strength of my very fond memories of one of the stories in this collection (with Shirley as the Mermaid) . I have to say I was disappointed to stare this expose again. Was my imagination so gargantuan relieve then that I imagined scenes that really were never there? Apparently so!! Either that, or this is an edited copy!

Things that did not bother me at all as a child bother me a LOT now as an adult — like unpleasant stage makeup and theatrical acting on film. I saw too considerable theater here, making it all seem more “unfounded.” I have looked at the beginnings of two or three stories in this collection but could not bring myself to carry out any of them (except the one about the mermaid which disappointed me so) . I’ll try another one or two and then I will probably give the whole collection to Goodwill. Sorry, Shirley. I’ll always like you anyway!!!!
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Dec 13 2009

Days of Wine and Roses Review At Amazon.

Days of Wine and Roses Review At Amazon..

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I was never really involved in drinking alcohol and after catching “Days of Wine and Roses” on leisurely night television I knew I was never going to drink, never find drunk, and never raze up like the character of Joe Clay, played by the tedious Jack Lemmon. Joe is in public relations and cannot have a great time unless he is drinking. He meets up with Kirsten Arnesen (Lee Remick), and informed she does not drink but loves chocolate, he orders her a Brandy Alexander. Joe and Kirsten marry, although her father Ellis Arnesen (Charles Bickford), is not clear he approves. Joe’s alcoholism finally costs him his job and by then Kirsten is boozing impartial as powerful. In one of the most dismal scenes in movie history, Joe destroys the Arnesen greenhouse, looking for the bottles of booze he has buried with one of the plants. With the aid of A.A. Counselor Jim Hungerford (Jack Klugman), Joe finally starts to accumulate his life together. But Kirsten cannot do the same, even for the sake of their daughter Debbie.

With Lemmon’s death a lot of his venerable movies are suddenly popping up on cable television. I watched “Days of Wine and Roses” again last night and it is every bit as distinguished and as horrific as I remember. No other film has made the life of an alcoholic survey so hopeless, not “Leaving Last Vegas” and certainly not “Lost Weekend.” Lemmon and Remick were both nominated for Oscars for their performances, while Henry Mancini’s title song won the Academy Award. Charles Bickford repeated the role he originated in the “Playhouse 90″ version aired in 1958, which was directed by James Frankenheimer. Blake Edwards directed this 1962 movie because the studio told Frankenheimer he could not announce a comedy like this film. Both scripts were written by J. P. Miller. Bottom line: Nobody who ever watches this movie will ever forget it.

Joe Clay (Jack Lemmon) is an up-and-coming Public Relations agent in the era of the three-martini lunch and “drinks with the boys” following the workday. While providing a client with, literally, a boatload of girls, Joe meets receptionist Kirsten Arnesen (Lee Remick), a valid girl from a stable country upbringing.

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Joe introduces Kirsten to alcohol in the effect of a Brandy Alexander, and before long the two tumble in adore and marry. Joe provides a sterling living for his wife and original baby daughter, but becomes unhappy from the calm family life and a baby that takes up all of his wife’s attention. In a truly gut-wrenching scene, Joe berates and completely degrades Kirsten for not being any fun anymore, throwing a temper tantrum while drunk and demanding that she conclude nursing her bear baby (mammary envy) because its going to destroy her shape. A very poignant and heart braking scene.

Kirsten is deeply in cherish with Joe, and concedes to his demands to “loosen up a diminutive and be fun again”, which means having a couple of drinks with him. It isn’t long before Kirsten is drinking all the time, and very favorite of women in the early sixties, Kirsten starts smoking (probably to succor lose weight, though this isn’t mentioned beyond Joe’s comment about her shape) .

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Buy,Download, Or Stream Days of Wine and Roses! Click Here

Joe’s career slides as his drinking increases, causing him to be tedious for work and upsetting his clients. His company assigns him to a lower-level client in far away Houston. While Joe tries to do his job there, Kirsten sets their apartment on fire from drinking and smoking. Joe is fired, and not long afterward Joe has an epiphany. He is a bum, and his wife is a bum, and they need to close drinking.

Kirsten’s father takes the struggling couple into his home where he runs a nursery. After a couple of months sober, Joe and Kirsten topple off the wagon together in a riotous binge in their room. A second very poignant incident follows where Joe trashes his father-in-law’s nursery looking for the bottle he hid. This scene may seem overdone at first, but unbiased tune into one episode of ‘Cops’ and you will perceive how well Jack Lemmon played this scene.

This time, Joe winds out in the hospital going through some overblown withdrawal symptoms, and it is here he meets Jim Hungerford (Jack Klugman) from Alcoholics Anonymous. Once in AA, Joe tries to fight his disease, while Kirsten remains in absolute denial of being an alcoholic. You must remember that this movie was made in 1962, and there was quite a stigma attached to being an alcoholic, the 60’s version of a scarlet letter.

There is no happily-ever-after in this movie. Though made in 1962, it is composed the best of the ‘alcoholic’ movies ever made. ‘Leaving Las Vegas’ certainly portrayed a down-and-out alcoholic, but the character Ben from that original portrayal wanted to die. ‘Days Of Wine And Roses’ is the fable of two people’s struggle against alcoholism, not their submission to it.

There is nothing outdated about this movie except the fashion; times change, behaviors don’t. Kirsten’s confession that she “unprejudiced wants things to leer prettier than they are” rings so proper to addiction in any get or from any era. This movie is about people and the disease, not the time-period, so it stands up to any of the recent day addiction stories.

‘Days Of Wine And Roses’ is a correct classic, a timeless fragment that is both black and lively. Select a hastily mark of the fact that in Joe and Kirsten’s first apartment, the bar was true outside the baby’s room. I understanding that was a bit ironic.

If you like addiction movies, recent pieces like ‘Leaving Las Vegas’, ‘Requiem For A Dream’, ‘Spun’, or ‘Fear And Loathing In Las Vegas’, you will treasure ‘Days Of Wine And Roses’. Luxuriate In!

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Dec 12 2009

Buy Higglytown Heroes - To the Rescue Online.

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Good dvd, my son loves them, they are hard to arrive by so we are grateful to have found one. Rapid shipping, huge designate.. Happy

This was a worthy honest and educational video. My child absolutely loves it. However, I feel their other video On the Proceed was better.
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Dec 11 2009

Buy Walt Disney Treasures - Disneyland USA DVD at Amazon.

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Walt Disney was a visionary when it came to entertainment. This 2 DVD collection showcases one such example, his theme park Disneyland, as it was portrayed on TV during his lifetime.

This dwelling contains four programs. The first is the first ever episode of the TV expose Disneyland. It introduces the park and future episodes of the display. At the ruin, it includes several Mickey Mouse cartoons, including “Sorcerer’s Apprentice” and “Lonesome Ghosts.”

The second program is the opening day live broadcast. I enjoyed finally getting to inspect it. Technical problems aside, it’s quite fun.

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The second disc contains “Disneyland after Dusky,” an episode of the TV present that includes some vast shots of the spot at night, but is mainly a point to of people performing at various places in the park.

The last program is the 10th Anniversary point to. This one was most racy because it featured the planning stages of “Pirates of the Caribbean” and the “Apprehensive Mansion,” as well as a glimpse at how the park had changed over its initial 10 years.

This is a collection a Disney die-hard, like me, will indulge in. It’s got some sizable leisurely the scenes info and Disney history to sustain us ecstatic. However, the average consumer will probably not bask in it as mighty. Frankly, I probably won’t gawk it as noteworthy as some others from this series. Serene, for its historic significance and fun for the Disney fan, I rate it 4 stars.

This is perhaps the most disappointing entry in the otherwise strong Walt Disney Treasures series, mainly because there’s so exiguous about Disneyland itself in it. The two discs feature four episodes from the Disney TV series, plus a companion feature so brief (under 9 minutes!) that it’s hardly worth inclusion:

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“The Disneyland Narrative” from 1954 shows how the TV series was essentially created to encourage bankroll construction of the theme park, but the episode features virtually no footage of the park or its construction (which was completed, remarkably, in less than a year) . Instead, we gawk only models, padded with a rare spy of “Song of the South” but only in black-and-white. (Elsewhere in the Treasures series, footage originally filmed in color but broadcast in black-and-white is shown on the DVDs in color, but not this time, probably because the Disney Company has long been embarrassed by SOS’s racial content-it’s never been released in the U.S. on DVD.)

“Dateline Disneyland” features almost 90 minutes of live television coverage from opening day in 1955. It’s heavily padded, however, with celebrity sightings, wearisome dedication speeches, marching bands and staged street performances that do puny to highlight the attractions of the park. (How many times does the announcer have to say, “And here’s Danny Thomas with his family!” before we accept the point? I found myself fast-forwarding through two-thirds of this demonstrate.)

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With the exception of some priceless color footage of jazz sizable Louis Armstrong performing on board the Notice Twain, “Disneyland After Sunless” features mostly unremarkable stage acts interspersed with precious few scenes of the park lit up at night. All Walt Disney’s scenes are filmed with actors on a sound stage-and they seek it.

“Disneyland 10th Anniversary” from 1965 is the only segment that truly lives up to this set’s billing as a showcase for Disneyland. Disney himself gives viewers a tour around the “imagineering” department, showing off early conceptual sketches and models for such classic attractions as the Petrified Mansion and Pirates of the Caribbean, neither of which opened until after Disney’s death in 1966. We meet such ground-breaking imagineers as Mary Blair and Marc Davis. Finally, we look color footage, narrated by Disney, of attractions that have long since been retired, like the Flying Saucers and Submarine Voyage. It takes a film like this to remind us what a boneyard Tomorrowland has become since Disney’s death, but this episode alone is not enough to recommend the whole package.
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Dec 09 2009

Buy Knife in the Water: Essential Art House DVD at Amazon.

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Knife in the Water (Noz w Wode) is Roman Polanski’s first feature film. It stands out compared to other Polish films of the time because it has a contemporary yarn. Other directors, such as Andrzej Wajda, did gain films with contemporary stories but the majority of the Polish movies in the early 1960s were about the war.

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One distinguished aspect about this movie is there are only three actors. There is a middle-age man named Andrzej, his young wife Krystyna and a young man. The sparks that result from the trio are enough to totally retain the epic appealing and suspenseful.

On the device to the lake, the couple picks up a young man hitchhiking. The young man is a wise guy and a risk taker. They select him along with them to their boat and go sailing. Andrzej sees the young man’s character and wants to content him a lesson. Both of the men are very alike and obtain a kick out of the game of cat and mouse they play. The men exhaust shows of bravado and laughter as weapons, no doubt trying to not only outdo the other but also designate Krystyna. Krystyna tries to maintain the location as aloof as possible as both try to outwit each other.

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The tension builds and builds the longer they are together. One can’t encourage but contemplate that the film is titled Knife in the Water. How and when the knife will play a role is always on the aid of one’s mind. Considering the big tension between the men, it objective seems like a matter of time before the knife settles their remark.

Keeping in mind the yarn is relatively simple, objective three people going on a boat together, Polanski has to be given a lot of credit that he made the film so intense.

This film won distinguished acclaim, when it came out, and had a unique eye to it. A very visual film, in Polish language, and quite a departure for a first time director. This film really showed, that Polanski had promise as a director. An spicy gaze at three characters, who are forced to utilize time together on a petite boat. The Australian film Insensible Level-headed, with Nicole Kidman, also delves into a similar plot, quite successfully.
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