Oct 12 2010
Stream The Polar Express Presented in 3-D Movie Online
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Stream The Polar Express Presented in 3-D Movie Online.
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My fiance and I both loved this movie when it was released and we tranquil do. When we heard it was coming out on Blu Ray and on top of that 3-D we were beyond angry. Well that excitment was crushed when we got home, do it on and were almost given instant headaches from the customary school red and blue 3-d glasses and the fact that no matter how hard we tried to view it, it honest was nowhere reach 3-d quality. We sat there contemplating whether or not it was impartial us or if the 3-d aspect of it sucked that dreadful and we came to the conclusion that it was definately the latter. So after a half hour of trying hard to like it we switched it to 2-d (thank god for blu ray for having that option) and saw how in 1080p it was almost 3-d itself.
Needless to say the very next day I went support to the store I purchased it from and changed it for the regular blu ray version (which was $5 cheaper than the 3-d version and totally worth the grasp, 5 stars for that version.) It was very murky that it did not work out because such an fantastic holiday movie with such broad animation would be a no brainer to have as 3-d but unfortunately it fair is not worth the headache and strain.
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I went to gaze this movie tonight with a mentally handicapped friend - “Michael” — (from a L’Arche home here in Winnipeg, Canada) . We were the first persons in the theatre for the very first evening showing in this city - and we were the last to leave. We thoroughly enjoyed ourselves - enchanted by the movie’s subtleties and happily exhausted by its roller-coaster rides.
Time and again, Michael (who is sensitive, compassionate and with a honorable sense of humor) turned to me in the darkness, smiling in appreciation at the true same moments I turned to search for his reactions. Each time this happened, it was at a moment in the film when some slight detail, perfectly captured through valid ‘cinematography,’ brought moisture to my normally cynical contemplate, and a warm smile to Michael’s innocent face.
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Some examples: There is a lone, shaded child on this apparent ‘dream train’ to the North Pole - a girl of about ten or eleven years, and like a painting reach to life, the miraculous technology at work in this film captures the particular sensibilities of this compassionate, shaded youngster — We study slight mannerisms of someone comfortable with herself in a contrivance the other (ten or so) white kids on the instruct are not. And the achieve is profound — the movie audience, including some children of that same age group, went calm at such moments in the film.
My friend Michael - who has a ’savant’ genius for perceiving my emotions, and expressing them for me out loud in public — Michael turned to me with a cheerful smile when the girl on the notify reaches out to own the hands of the poorest boy, sitting alone in the rear compartment; and later, she hugs two other boys, (one of them the central character) — at their final parting. At that moment I held up a finger to my lips to try to hush Michael, but couldn’t prevent him from saying aloud: “She’s such a sweetheart.” There were murmurs of appreciation in the darkness around us, responding to this innocent sentiment.
There is a sublime moment, on the assist platform of the spirited disclose — the Northern Lights glimmering in the distance — when the young girl joins in song with the poorest kid on the snarl (a younger boy from a venerable home on the “far side of the tracks”) . I admit to being overcome with emotion during this duet (a dazzling, strong melody with poignant lyrics) - and I blurted out loud to Michael, after the first chorus: “What a astounding song!” The refrain includes the words “When Christmas comes to town.” [It's a song so genuine that, with some future 'cover versions' by serious musicians who could do it justice --- this "Christmas Comes to Town" song could, I own, deservedly join the cramped list of good, Christmas 'classics.']
I’d have to agree with anyone who thinks this movie is a shrimp short on location. And yet . . . once you’ve suspended disbelief — beginning with an earth-shattering, Christmas-eve arrival of a steam-puffing, passenger philosophize on a small-town Michigan street, directly outside the home of the movie’s central character — once we’ve swallowed that premise, the movie disarmingly embraces the child in us, (including our fears) and our reservations vanish without our noticing.
Just as expansive `realistic’ painters, (assume Rembrandt or Vermeer) worked wonders of light & shadow that no mere photograph could ever lift, so too this computer-animated marvel takes your breath away through an accumulation of little but acute observations that could never be captured by used cinematography. Prime examples from the opening scenes:
A shaft of light illuminates the boy’s bedroom, and he is reflected in a chrome, automobile hubcap leaning against a wall; at once we fraction his conception — through the keyhole of his bedroom door - we can behold only the backs and the dressing gowns of mother and father, as they say goodnight to the boy’s young sister, after determining the situation of her plan in Santa’s existence - a view no longer shared by the older brother, whose examine is at the keyhole.
Later, on the deny, there’s an pleasing discontinuance up of the boy’s face, a puny blemish above the pores on his upper upright cheek; the `camera’ pans in rotation, capturing perfectly, the texture of the boy’s hair, and that of the young dismal girl sitting beside him — subtleties of such perfection one wonders if the current, artistic accomplishment of “Polar Thunder” could ever be surpassed.
The film’s last scene, consists entirely of a close-up plan of a diminutive, silver bell (of the type associated with sleigh rides) with its attached ‘ribbon’ of red leather. The slight bell helps perform the final point about `Belief’ — in things unseen, (or forgotten, and thus inaccessible to some adults) . So simple, so noteworthy, so enlightening an image. My friend Michael turned to me at that moment, with a resplendent smile. And we unbiased shook our heads in scare.
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Yes, this movie must have SOME shortcomings - one or two moments that don’t quite work as intended by the creators. But legal now, in the afterglow, I can’t retract what they were. The film was objective too satisfying an experience!
I’m a 57-year-old grandfather who happens to maintain that “The Polar Boom” is the first, right Christmas classic in almost 60 years. Not since the unusual Kris Kringle “Miracle” movie of 1947, has any film (to my jaded peep) so transcended our secular, commercial views of the Holiday Season, with such uplifting and new reminders of the timeless and suitable spirit of Christmas.
Mark Blackburn
Winnipeg Canada.
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