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After slogging through a number of these reviews it is distinct that most cannot study that we Twenty-First Century Americans were not the intended audience for this movie. The movie was intended to be a unifying morale-builder for the National Socialist Party in Germany, which had been in power only about a year when this movie was made.

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From its loss of World War I until the NSDAP was elected to power in Germany in 1934, the people had suffered every kind of internecine mob warfare, illegal abuse and theft of whole portions of Germany at the hands of the French, and an economic catastrophe that made our American Depression examine like a picnic by comparison.

This movie sought to persuade Germans (GERMANS!) that this terrible misery was finally over and that the criminal Bolshevik traitors responsible for Germany’s defeat in World War I, and all the residual woes, would be defeated once and for all. It must have been a most welcome message because as you recognize the film you certainly don’t pick up the impression that anyone had to beg the many thousands of Germans who attended the NSDAP rallies to stand up and cheer their hearts out.

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If you suppose and understand German, you’ll have a remarkable greater likelihood of being able to understand the impact of these rallies, and this film that celebrates them. For many who are not conversant in the German language or who know dinky about the steady history of the time besides what they were exposed to in American World War II films, the film is actually glorious slow after a while.

You sit there and sight one group of soldiers, police, or workers after another, marching and marching and marching. This is interspersed with speeches by Hitler and the other Party officals. From time to time you’ll ogle interesting-looking people doing everyday things, some in costume, but mostly they’re fair talking, walking, eating, brushing their teeth, and so on. Be advised — for those of you who examine the whole thing to be a stirring, colossal SS parade with weapons bristling, be prepared to be disappointed. The last group of soldiers on parade are indeed the SS Leibstandarte Adolph Hitler, and they’re marching to what was reputedly Hitler’s celebrated share — “Der Badenweiler”. Remember to eye that they aren’t even carrying rifles or bayonets….

Lastly, in my opinon, the commentary by “historian” Dr Anthony Santoro is mostly impartial another sarcastic, demeaning rant against the people in the film, so typical of those who hiss judgement on the vanquished after every war. The marching soldiers and other Germans who reverberated such thrills of hope for their abominable, beleagured country are all long plain, but Santoro must compose fun of them for the amusement (? ) of the American audience. Try to remember — this movie was not made for YOU!

I fully understand both the reviews of disappointment and approval of this DVD, “The Triumph of the Will.” As a WWII fanatic, and one who owns virtually every significant, and less vital, documentary, I give this film a five-star review for many reasons. Before I fragment those reasons, once again, I sympathize with those with less trustworthy responses. The one criticism that I characterize to is the marching sequences. The film begins with what appears to be endless marching in 1934 Nuremberg.

What is particularly tiresome is the lack of variety; with so many thousands of soldiers marching with spades (post WWI armistice little Germany to a 100-thousand army, so they didn’t want to appear aggressive at that stage), I was expecting to gape tiger tanks with their 88 mm. guns, field artillery, transports, and quite literally “the whole nine yards”, but this is not the case. You will observe the SA, the SS, soldiers and nazis of every shape and uniform, but no hardware other than shovels and swords, banners, swastikas, and decorum. So the disappointment for me, and from what I bag from other reviews, is that Leni Rienfestahl (hereafter LR) gives us plenty of marching soldiers at tedium. The viewer is treated to about 25 minutes of introductory marching before the first speech.

However, the strengths of the film far outweigh the flaws. Hold in mind, 1930’s movie making was far different than it is today. Encourage then, if a director wanted to “truck” in or out with the camera, he/she had to literally expend a truck to do that, giving a zooming execute (that’s where the word “truck” came from as per movie directing) . In addition, LR had to utilize existing light sources, tremendous or miniature, and no added SFX, B-roll editing, and lap dissolves were done by hand. The film reminded me so noteworthy of Disney’s “Fantasia” with the exhaust of lighting effects, and vignettes consisting of brief fade-in and fade-outs to construct viewer expectation and tension.

Now, my list of kindly feature findings:

1. The extended raw footage and attractive directing allows the viewer to relish the ambience of the moment. You feel that you are actually there experiencing the moment. My mother attended a number of Hitler Youth rallies, and told me that a combination of music, color, chanting, etc., left the participant feeling almost fearful. The SA had their members littered everywhere throughout the audience who would continually incite the audience to react with heated emotion and praise.

2. The speeches by Hitler and others are unedited. When you belief other documentaries, such as “The World at War,” you will be treated to only a few moments of speech sound bites. In this DVD, you will glimpse Hitler uncut and hear his words, which are as exclusive as watching the man himself. He reminds me of a sales speaker I once heard, blasting the audience with the qualities of his product, but not explaining why the audience should select it. The tripe and shallowness of Hitler’s words can only really be appreciated as one can both eye, and listen to his presentation uninterrupted. Here again, the enormous majority of documentaries out there give only snippets of Hitler’s speeches. Suggestion: if you fetch tired of the marching and want to belief the speeches, simply jot down the times from your DVD player.

3. As a propaganda film produced to be exported, we understand what the nazis held to be reach and dear: Hitler was in plump gear with his war machine and wanted to indicate German might through intimidation. The well-orchestrated rally demonstrated unity, determination, organization, and most importantly a national “vision” of a German ideal codified in one individual, Adolph Hitler. As Hess declared to the people, “Hitler is Germany; Germany is Hitler.” The sheer numbers of the multitudes is awesome; I can only try to imagine what it must have been like to have been a Frenchman, or Hungarian, or a Russian, viewing this film for the first time.

4. As an extended film, the viewer can sight how the people dressed and carried out their daily lives at the time. How shadowy that Nuremberg was such a comely city prior to the Allied bombing, and the introductory aerial scenes of the city are breathtaking.

5. This is a digitally remastered DVD from 35mm film. The resolution is profitable to the degree that you can survey the follicles in a close-up of Hitler’s face. Unlike many similar documentaries of questionable quality, this DVD allow the viewer to like facial expressions, uniform insignia, and other detail.

If you conception this film in the historical context in which it was produced, LR was indeed radiant and “done Hitler proud.” If you want Hitler in the context of unique filmmaking, you will probably feel disappointed. An marvelous alternative would be the fresh feature film about the last ten days of Hitler’s life titled, “Downfall”, produced in German with English sub-titles. Even level-headed, try to notion “Triumph of the Will” in the context of what the Nazis wanted the world to see: gradual the pagentry — power!

Then, be prepared to enter exact history: a Nazi night rally, Hitler youth (search for the commitment and determination on their faces!), the farmer’s march, the pleasing Congress Hall of the NSDAP, Reich labor review, Reichswehr review, SA and SS review, the Liebstandarte bodyguards, Lutze, Hess, Goebbels, Hitler, and yes, lots of marching. So, fasten your boots, indulge in, and if the marching is a bit grand, withhold your remote handy.

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