Apr 10 2010
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Maybe it’s not the best movie as far as dialogue goes, but for being an action movie about robots from outer residence, it’s salubrious. The transformations are suitable enough to not raise doubt about the mechanics of them (which is estimable for me as an aerospace engineer, because I tend to inspect these things) . This is the kind of movie that makes mountainous HD televisions and high-quality sound systems worth having.
For a nerd that mature to drool over this display as a kid, this movie hooks you from the very beginning. From Optimus Prime’s summary intro (with Peter Cullen smooth at the helm of our current alien semi) to the Decipticon attack on the military ghastly, you have no doubts that this is Transformers. Shia LaBeouf makes his entrance and proves the perfect piece for this movie. He’s actually glowing silly and acts the allotment well. As far as the rest of the humans in this cast, not as mighty can be said.
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After the awesome introduction, the first allotment of the movie deals mainly with Shia LaBeouf’s Sam purchasing a Camaro that actually turns out to be the Autobot Bumblebee (in the cartoon, originally a VW Bug. I judge the yellow VW Bug in the car lot next to Bumblebee was a homage.) Sam unknowingly uses his alien car to stamp a girl. Of course she actually is impressed when they come by out it’s an alien. There are some aesthetic laughable scenes in this piece of the movie as well as some action scenes that are very well done.
Soon comes the arrival of the other Autobots and they sigh to Sam their moral purpose, which is to locate the Allspark -a distinguished intention noble of transforming a planet- before the Decepticons obtain a own of it. I understanding at this point that the tiresome parts of the movie were over, but not quite. From here we go into a few too many scenes dealing with side characters, from video game playing computer experts to goofy secret agents whose quirks border slapstick comedy. Too many of these characters could be chalked up as funny relief, and most of what they attributed was not very humorous. There was a slightly comic but overly long scene where Sam was trying to camouflage the autobots while he searched through his house for a relic they needed. And then arrived John Turtorro (playing the said goofy secret agent) whom I adore, but who severely overstayed him welcome in this. Other performances, namely John Voight’s, were honest dumb campy and the cookie cutter dialogue was cringe inducing at times.
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Luckily, I forgot most of that by the time the movie got to its last act. Once the Decepticons reach in force the movie is a non end creep of action and jaw dropping effects. While someone who’s not familiar with the characters and memoir might not care what the outcome is, I found myself with memories as a kid, watching the 1986 movie for the first time. I forgot about the humans and their ho-hum sotrylines as my current characters and toys from my childhood crashed and shot and ripped each other apart. I forgot that I was watching CG effects as the transformers see as actual as the environment they’re destroying. The action scenes are larger than life and I’m amazed at how well the battles of the cartoons translated onto stout veil. The transformers themselves were all very well done, applying true physics to their transformations and robot appearances. They ogle right and novel but don’t lose the heart of what the fanboys loved about them from succor in the day. And Hugo Weaving as Megatron was genius. I missed hearing the fresh Starcream, but the novel insist actor died many years ago, and the two or three lines Starcream had in this sounded proper.
Despite the broad flaws in acting, dialogue and script, I left this movie with that rare itch to want to go straight befriend inside and gaze it again. From the previews, it looked like the movie was going to win a realistic perspective and expose the warring alien machines from a human point of concept. But that’s really not the case at all. In every other Michael Bay movie, the corny dialogue and overdramatic characters destroy an otherwise satisfactory premise. But Transformers is based on a cartoon, so why shouldn’t the movie feel like one? Here it works. It’s sizable, insensible nostalgic fun that the kid in me has been after for 20 years.
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