Sep 27 2010
Streaming I Married a Monster From Outer Space Online
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I really wasn’t definite what I’d be getting with the film I Married a Monster from Outer Dwelling (1958) as the title, while certainly informative (and long), screams cheap productions values, lurid storyline, and cheap exploitation intended on turning a fleet buck, mighty like the tainted Ray Dennis Steckler crudfest, The Incredibly Uncommon Creatures Who Stopped Living and Became Mixed-Up Zombies!!? (1964) . After watching the movie, I found that wasn’t the case, as while it may suffer (or encourage, depending on your point of idea) from a lengthy and sensationalistic title, I Married a Monster from Outer Residence is a fun science fiction film worth anyone’s time (and money) .
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The film, directed by Gene Fowler Jr., probably better know for his work as an editor on films like It’s a Aroused, Enraged, Excited, Exasperated World (1963) and Hang `Em High (1968), stars Tom Tryon (The Longest Day) and Gloria Talbot (The Leech Woman) as newlywed couple Bill and Marge Farrell. The film opens with Bill and his friends, in a local bar, celebrating Bill’s last night as a free man, as he’s getting married the next day. On his intention home, Bill has a irregular encounter with an even stranger being and a despicable looking cloud of alien whammy gas. The next day, Bill is tedious for his wedding, and he seems a bit off…Marge doesn’t pay mighty attention, but soon after the nuptials, she begins to realize the honeymoon is over even before it began, as Bill is a completely different person, peevish, distant, unfeeling and impartial generally icy. Maybe it has something to do with the fact Bill is no longer Bill, but an alien, inhabiting the shell of Bill’s body (that’s what I’m betting my money on, or that Bill is objective a immense jerkwad) . Eventually Marge learns the truth, but trying to convince people of what she knows is entirely frustrating as who’s going to absorb something like that? Most fair buy she’s lost her marbles, or has taken up the drink…and given the fact that the aliens have since begun to inhabit the bodies of many other men in the runt town, her pleas for aid are routinely ignored. What is the purpose of this alien infestation? I will teach you they ain’t here for the excellent cooking and attractive conversation…
I really enjoyed this film, made arrive the demolish of Hollywood’s golden age of science fiction films. The dwelling smacks of Invasion of the Body Snatchers (1956), with a number of essential differences, mainly the aliens’ intent and the supposition of a female lead instead of a male lead. I’m not saying this film is as splendid as Invasion, but it does work, and also delivers. I opinion Tryon did well as the alien trying to insinuate himself in normal, everyday life. I opinion the element of his learning different human emotions, like treasure, a bit goofy, but then it was touched on briefly, and never really examined in depth. At one point, it almost seemed like the transition from within, the development of human qualities, had nearly matched the physical transition. Talbot also played her role well, as the desperate woman who knows too grand but can’t collect abet. I really loved the scene between her and her friend, objective before the friend was about to marry a man who had since been assimilated. She kept trying to salvage a diagram to shatter the news to her friend, but given the fact that her friend appeared to be in her mid- 40’s and unmarried, it seemed she wouldn’t have cared one diagram or the other, objective so long as she was getting married. I have to say, while Talbot had pleasing features (nice body), her face was off-putting, almost annoying, to me. Personal tastes, I negate…My celebrated character had to have been the bartender, Grady, played by Max ‘Slapsie Maxie’ Rosenbloom. He didn’t have powerful shroud time, but what he had was memorable as he added a bit of intentional, and welcomed, humor to lighten the proceedings unprejudiced a tad. I’ve read that, when he was younger, he was a professional fighter, and, after retiring, he made a film career `playing a series of Runyonesque-type thugs and pugs’. Another scene I really liked was when Bill and his friends, now all aliens, congregated in the local bar, and were discussing the pros, and mostly, cons of their human bodies. I idea it curious that the aliens were discrete with determined things, but then positive in other aspects. Maybe they assumed they had the town bottled up sparkling well, and could afford some leeway here and there, using their demolecularizer ray-gun the occasional uppity carbon-based lifeform. The special effects were better than average, and I am especially enthusiastic to know exactly what that full goo was mild of, the goo that would be released after the death of a man/alien. The memoir moves along comely speedy, slowing occasionally for pertinent and relevant set points. There wasn’t the level of tension here as there was in a film like Invasion of the Body Snatchers, but it didn’t really matter as I Married a Monster from Outer State is a entirely fun and curious procedure to exercise about a hour and a half.
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The print provided on this release from Paramount Home Video is very crisp, shapely, and determined, with a very minor amount of age deterioration reveal (a very minor speckling here and there, but hardly noticeable) . There are no staunch special features included, not even a trailer, but English subtitles are available, which I made utilize of a few times (Paramount seems to coast far tedious in their inclusion of goodies on their DVD releases…for shame…) . The audio is sparkling definite, but there were a few points it got a itsy-bitsy muddled, but that was more due to the actor not speaking as clearly as I would have liked, and not a terrible audio track.
Cookieman108
Despite having one of the worst, most misleading titles in movie history, “I Married a Monster From Outer Status” is a solid, often chilling science fiction movie, with some very honorable acting and an first-rate script. You won’t gather a mindless us versus them tale here, which makes it all the more effective.
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Bill Farrell ((Tom Tryon) was having a last drinking spree with some pals, the night before his wedding. But the next day, Bill arrives slow to the church, and on the honeymoon he seems strangely preoccupied and distant. His modern bride, Marge (Gloria Talbot), is a bit shy by her husband’s sudden change, but tries to hold going as if nothing has happened. But a year passes, and Bill is tranquil acting queer — so, for that matter, are his pals.
One night (after the mystery deaths of a couple of animals), Marge follows Bill into the woods — only to perceive a exclusive radiant alien emerge from his body and enter a spaceship. Insecure, Marge tries to procure attend, but she has no device of radiant who’s an alien and who isn’t. And when she learns why the aliens have arrive, and why they’ve impersonated human males, she enlists the aid of the remaining humans to aid her.
“I Married A Monster” is an example of account triumphing over budgets and special effects. While the script isn’t flawless (if the aliens can’t tolerate alcohol, why doesn’t Marge spend that as a test? ), the behind buildup of tension, and the feeling of helplessness, is wonderfully done. Things as dinky as stumbling over a listless cat are imbued with dread, and the “less is more” exposure of the aliens in their proper forms adds a tall low-key tone to it. The special effects and costumes, though weak by original standards, are surprisingly convincing.
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One of the best aspects of this film is the handling of the aliens. They’re not gross, objective desperate to perpetuate their fill kind. They’re not invading for its maintain sake; they have a motive. But at the same time, they are clearly not acting acceptably, since they also destroy off some humans (a young woman at a bar, and a nosy lech) . Peaceful, it’s hard not to feel a pang when any of the aliens die, or when “Tom” explains their quandary. Another nice touch is one of the aliens looking wistfully into a shop window.
Tryon does an helpful job, since he has to play an alien pretending to be a human — frosty, stiff, and a bit off-key. He does it wonderfully, with the apt tinge of emotion when it’s needed. Talbot does an equally gracious job. It would be too easy to construct Marge an over-the-top hysteric, but she keeps the character reined in, so you can feel her horror.
It’s a shimmering, well-written movie, like “Invasion of the Body-Snatchers” but with more suspense and more three-dimensional aliens. Recommended highly — don’t let the title terror you away.
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