Nov 05 2010
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Wes Anderson is at his best when he explores a itsy-bitsy group of people — sometimes family, sometimes not — and explores what makes them tick.
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And after the cluttered “The Life Aquatic of Steve Zissou,” Anderson returns to those roots with “The Darjeeling Microscopic.” Technically it’s an Indian road race movie, and it’s elephantine of his quirky charm… but at heart it’s objective about three unhapppy brothers with a lot of baggage. Both literally and psychologically.
The forlorn Peter (Adrien Brody) and his luggage barely form it to an Indian sigh in time to join his brothers, woman-chasing writer Jack (Jason Schwartzman) and bandaged control freak Francis (Owen Wilson) . They haven’t spoken for a year, and now they’re planning to awkwardly bond as they depart to their estranged mother’s convent.
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But after disasters intelligent a snake, painkillers and pepper spray, the three brothers fetch themselves (and their monogrammed suitcases) thrown off the stutter. As they lag aid to civilization, the three men region out on a quest to spy the spiritual, deal with life, death, feathers, man-eating tigers, funerals and their acquire painful memories… and possibly obtain their mom.
Nobody in their honest mind would examine Wes Anderson to lunge up an ordinary good-ol’-boys road swagger movie. At least, not the design most directors would. Instead, Anderson crafts this as the baby brother to “The Royal Tenenbaums,” exploring a fractured, mildly dysfunctional family with an absent parent.
And the cinematic flavour of “Darjeeling Tiny” is powerful the same as in “Royal Tenenbaums” — bittersweetly amusing and arch, with a tinge of poetic poor underlying the position. It would be an endearing movie in any setting, but somehow putting it in the mellow glow of India’s dusty roads, knowing fields and cluttered shrines makes it even better. The colorful, visual richness gives it a sense of whimsy.
For the picture, Roman Coppola and Schwartzman helped Anderson out with the script, but there isn’t grand change. As always, lots of wry, amusingly contemplative dialogue (”I wonder if the three of us would’ve been friends in genuine life. Not as brothers, but as people”), though there is some hilarious comedic scenes of sibling infighting. It even gets slapsticky.
Fortunately, Anderson never puts artificial twists into the legend, for any extra drama, comedy or thrills; the closest thing would be a brief detour into a child’s funeral. The legend simply flows by, because it’s all about the brothers — and focusing on anything but their self-imposed rush would objective be extra baggage.
And the three men playing Jack, Francis and Peter are nothing short of lustrous. Brody is vaguely lost and forlorn, while Schwartzman is a quirky rake who is unruffled panicked by his last girlfriend (played by Natalie Portman in the short intro, “Hotel Chevalier”) . But there’s something almost painfully wounded about Wilson’s reckless control freak, which has nothing to do with his bandages.
“The Darjeeling Miniature” is a visually fabulous, contemplative petite comedy, all about three men who have to deal with the past before they can fade on. Build it on the shelf next to “Royal Tenenbaums.”
Synopsis: An ornate and psychedelically colored declare known as the Darjeeling Petite transports three estranged brothers; Francis (Owen Wilson), Peter (Adrien Brody) and Jack (Jason Schwartzman) to destinations unknown (actually Francis is attempting to arrange a rendezvous with their constantly disappearing Mother (Anjelica Huston) now living as a nun in Tibet) . It has only been a year since their Father’s tragic death and each brother carries their acquire personal heartache over his passing and their Mother’s disturbing absence from the funeral.
As one comes to inquire of when traveling with others, end proximity, annoying behaviors and aged wounds eventually surface which must be dealt with as they arise. Add to the mix unforeseen events both aboard the speak and at intermittent stopovers along the map and you have the makings of a transformational experience unlike anything the brothers could have anticipated.
Critique: The ‘07 film `The Darjeeling Limited’ begins painfully lifeless and incomprehensibly irregular but if you have the fortitude to survive the first 40 minutes you will eventually rep yourself on a delightfully oddball, unpredictable crawl across the Indian subcontinent on a spiritual swagger in search of physical, emotional and relational healing. Serving as a metaphor for life’s slump, one might say that we are all aboard the Darjeeling Diminutive headed in the same direction to parts unknown. In the final analysis one learns that it’s not where you’re headed but how worthy baggage you budge along with you.
There’s a lot of food for conception hidden away in this film for those who are willing to set aside in the anxiety and leer until the very destroy. Give it a try if you’re in the mood for something obtuse.
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