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Fans of 60’s science fiction will appreciation the deluxe terrific reissue of “Unbelievable Voyage” save out by Fox. While very mighty a product of the mid-60’s, “Extraordinary Voyage” holds up surprisingly well in honest about every position. I doubt that fans need a recap of the site but I have one at the kill of this review if you’re enthusiastic.

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First up we secure a ticket unique favorable looking transfer for the film. It isn’t perfect but it couldn’t be because of the source material. Some shots appear soft and a bit blurry due to the process photography/visual effects added to shots but that’s unavoidable and fairly typical of films from this time before digital video. Colors are mettlesome and as intellectual as I remember them.

Unlike the previous release we catch some really wonderful extras as well. The featurette on visual effects has Richard Edlund (”Stop Encounters”, “Blade Runner”) discussing the exertion of shooting a visual effects film like “Wonderful Voyage” in 1965 (it was releasedin 1966) . Like “Forbidden Planet”, “Astounding Voyage” pushed the barrier of visual effects for its times something NOT appreciated by a lot of viewers. Edlund points out that building the Proetus both in beefy size and shrimp allowed director Richard Flesicher opportunities that most directors wouldn’t have in being flexible in his shooting. Also, the Proetus corpulent scale exterior had an interior station mimicing the plot for the inside of the ship which allowed them to shoot through the windows and not wretchedness about having to do mattes as often creating a convincing environment.

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We also accept an isolated music win with a commentary track as well featuring Slash Redman, Jon Burlingame and Jeff Bond discussing Leonard Rosenman’s superb music bag. They are detached about 40 minutes in when Rosenman’s gain kicks in but the first 40 minutes these music/film historians focus on everything from the casting, to bits of trivia about the shooting of the film. We also find storyboard to film comparison of the whirlpool scene as well as a deleted scene from the script with storyboard illustrations. The electronic press booklet includes the new press booklet. My only complaint is its a bit too dinky to read at times even on a large camouflage TV but otherwise looks quite honorable. We also regain some of the movie-tie-in’s including a mention of Isaac Asimov’s modern adapted from the script (where he fixed some of the holes in the script and science gaffs) . We acquire lobby cards, posters, radio and TV ads as well as the unusual theatrical trailer. The interactive share of the gallery also allows us a 360 conception of the 5 foot model of the Proetus as well as its smaller (unprejudiced a couple of inches) version stale for long shots and designed for visual effects mattes.

Fox has done a very nice job on this 40th Anniversary Edition (even if it is a year slack) of this classic Science Fiction film. Positive, the dialogue is occasionally awkward but it’s a film very powerful of its time and holds up remarkably well with strong performances by Stephen Boyd, Donald Pleasance (in one of his first roles as a villain), Arthur Kennedy, Raquel Welch and others.

***

Plot: Plot during the Cool War, Grant (Stephen Boyd) is called in to escort Jan Benes (Jean Del Val) a man with information principal to the safety and security of the United States. When their motorcade is attacked, Benes is injured and goes into a coma. Grant is again recruited this time to accompany a team of a surgeon (Arthur Kennedy), government doctor (Donald Pleasance), nurse (Raquel Welch) and Navy pilot (William Redfield) on a high-tail of shrimp proportions. They are going to be miniaturized be injected into Benes and disappear in a state-of-the-art sub called the Proteus to slay the blood clot threatening Benes life. Complications arise, however, when it appears they may have a saboteur in their midst.

After all these years, it’s dark to recognize what science fiction has become. There was a time when sci-fi movies had a modicum of “sci” in them, not to mention gleaming storylines and suspenseful situations that rose directly out of the premise.The science in FV is sound-the makers of the film did their sophomore biology homework, as well as their basic physics homework.I display this to my grade-school students, as an example of ‘good science fiction’, and as an racy section of learning about various body systems.The visual effects are breathtaking and aloof convincing, even in this era of CGI.Lots of fun!
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